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Sunday, November 15, 2009 Yesterday morning: got myself up and out in time to do grocery shopping before swarming crowds of caffeinated consumers descended on local shops. Realized I'd finished with enough time to hop a bus and make the trip to a museum for its 10 o'clock opening, thought ia an excellent idea. Flew out of the flat, caught a bus, switched to a second bus, reached the museum just shy of 10. Discovered that so many people had made the same cunning plan that a line stretched from the museum entrance down the block. Decided to try it again another day, aimed myself toward la Calle de Alcalá, started walking. Found myself in front of el Círculo de Bellas Artes, saw that their sidewalk café had not yet been shut down for the cold season, tossed myself into a seat at a likely table. Ordered, pulled out morning paper, began sipping espresso. El Círculo de Bellas Artes is across from where Gran Vía joins la Calle de Alcalá -- plenty of passing vehicles, lots of pedestrian traffic. The seats are far enough removed from the street that automative noise and motion is not overwhelming, it's a fine place to pass some time. Three or four pages into the paper, still swimming slowly toward full consciousness. Immersed enough in reading, eating, drinking that traffic hooha seemed far, far away. Until the sounds of a siren, of engines going at high rpm, of screeching tires caught my attention, combined with the motion of a small red car leaping into my peripheral view. I looked up just as a police van in pursuit of the car streaked into view, overtook the smaller vehicle, collided with it -- on purpose or because car driver lost control, couldn't tell. The car did a screeching 180 and came to a halt (driver's door now visible), the police van pulled up maybe 15 feet along. The doors of the van flew open and a cop leaped out of either one, the near cop pulling out a gun, running at the vehicle, yelling at the driver to freeze, show his hands. The cop stopped a few feet away, pistol aimed at the driver, the second cop arrived at the passenger side door. The driver didn't respond to the shouted instructions, seemed to be hunched over, doing something. The cops pulled at the doors, found they were locked. The near cop shattered the driver's side window with his arm, backed off again, gun aimed directly at driver, yelling at him, while the other cop peered into the vehicle, face showing tense concern about... anything that might be a threat -- weapons, a bomb. The driver finally turned to face the near cop, I saw he had the look of the western stereotype of a fundamentalist Muslim -- hair cut short, a full beard, clothes of a loose, middle-eastern cut. He called out something, finally held his hands out the window so all could see he was unarmed. The near cop jerked the driver's door open, the cop on the far side of the car finally managed to get the passenger's door open. They forced the driver out the passenger's side and to the ground, cuffing him. By this time, sirens were approaching from various directions, other police vans appeared, two or three motorcycle cops skidded up. Traffic had come to a dead stop in all directions, some agentes began to get it moving again, directing vehicles around the scene. Two or three cops cleaned up broken glass and other debris from the pavement. The rest clustered around the individual on the ground. He was spirited into a van that took off, the tense energy of the scene began to dissipate as the scene was cleaned up and normal city life slowly, slowly reasserted. ![]() It's impossible to know what produced this happening, impossible to make assumptions of any kind about it. A family of four sat at the table next to me, two 30-something parents with two small daughters. Both girls appeared nervous, shaky in the wake of the event, and I can understand why. It happened so suddenly, with so much intensity and clear potential for ugly, ugly turns. I watched, overwhelmed with it all, completely forgetting to pull out camera until the most intense parts of it had come and gone, until I realized I was barely breathing, straightened up, drew in air. A strange, intense, not at all typical Saturday morning in Madrid. España, te amo rws 11:05 AM [+] |
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Saturday, November 14, 2009 City crews here have been methodically working their way through the city in the weeks since my return, and I'm not referring to the traditional ripping apart and reassembling of streets, sidewalks, plazas, etc. I'm talking people in cherry-pickers, hanging big light displays -- the first tangible sign that Christmas is sneaking stealthily up, looming closer with every passing November day. At some point during the month's final calendar entries, the Mayor and a bunch of other mucky-mucks will get together one evening, blather out speeches, someone will press a switch, the entire city will suddenly be radiant with Christmas cheer. I know some folks complain about Christmas and all the wackiness associated with it. But I'm not one of them. As unfashionable as those hardbitten, cynical types may consider it, I love Christmastime. The feel, the look. The lights, the decorations (in some cases, the tackier, the better). I just like it, always have. And I love Madrid at that time of the year. They don't have the seasonal kickoff of Thanksgiving/Black Friday in this part of the world -- they just crank up the lights and everyone starts shopping, running off to holiday fairs, going out to bars and restaurants with friends, family and groups from work. Just being around it makes me happy, simpleton that I am. Walking around the city at night in the middle of it all makes me smile, avenues, neighborhood streets and pedestrian ways hung with glowing displays. ![]() Part of the tradition hereabouts: the city's largest department store chain-- with enormous stores dotted around the local landscape -- tosses up humongo creations of Christmas lights on its flagship store, at the very heart of Madrid's city center. Big, oversized, sometimes garish displays, the biggest, most complex of all being a huge installation that covers one side of the several-storey high building. An installation with moving parts and characters that sing, telling a story -- the sidestreet that side of the building fronts on overflows with crowds at performance times, parents bringing kids to watch, tourists gawking. I passed the scene of this annual yuletide crime the other evening as work crews labored away, installing this year's mammoth, slightly surreal edition. Off to one side, the head of a dragon (I'd be willing to bet a bunch of shiny new euros that it turning out to be a singing dragon) waited to be lifted up into place. ![]() I had to stop, I had to gawp. I had to drag out camera and act like clueless tourist. I did not have the discipline to resist. Christmas. It's on the way. España, te amo rws 1:53 PM [+] |
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Wednesday, November 11, 2009 This last weekend being the 20th anniversary of the fall of the Berlin wall, news outlets here were awash in stories and images about it -- remembrances, coverage of anniversary celebrations, all that. Me, I went out for a long walk on Sunday, found myself drifting along el Paseo de la Castellana during the afternoon, pulling up alongside the German Embassy. It occupies a fair-sized chunk of real estate, the embassy does, with a substantial wall running along its perimeter. I might not have realized that I was outside that particular embassy except for their way of observing the anniversary of that major turning point 20 years back: hanging large replicas of murals originally painted on the original wall's West Berlin side. Big, brazen, insistent works of political commentary -- impossible to miss. Leonid Brezhnev and Erich Hoeneker show just how close their friendship was: ![]() I spent a while checking them out, wondering what it must have been like to encounter the real thing, remembering television coverage of the massive explosion of joy when the wall was brought down. And then I moved on. Cool autumn air, November sunlight, the long three-day weekend, unexpected sights. A good day. España, te amo rws 8:45 AM [+] |
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Monday, November 09, 2009 Two days ago, had the impulse to go to the movies for the first time since returning to Madrid. (And before that, now that I think about it.). For the most part, since settling into the new flat I've spent far too much time holed up in front of the computer. Getting work done (this is a good thing) -- a pretty fair amount of work. But spending long days indoors. Haven't had the vaguest interest in running off to a movie. Until Friday. Decided to take advantage of that impulse while it was hanging around giving me the elbow, grabbed the weekly arts mag that comes with the newspaper at the end of the week, flipped through it. Discovered a film that I'd read about stateside, liked what I read, had the feeling it would be a good bet. The single biggest disadvantage of the new flat: the nearest Metro stop is a 10-minute hike. The next nearest, 10 to 15 minutes. There's a bus stop down the street though, buses from three or four different routes pass by -- I decided to try one, see how that went. Chose a route that skirts the city center, skidding through peripheral neighborhoods, plazas and traffic circles before veering back in to touch base not far from Princesa, an area that's a hotbed of movie theaters that traffic in foreign films in the original language, subtitled in Spanish (instead of dubbed). Caught that bus. Ten minutes along they made us change to a different bus. Two minutes after that, all of us on the second bus, they did it again (producing a whole lot of complaining and ugly language by unhappy passengers fleeing toward the third bus). They didn't make us change buses again after that, but by then rush hour had begun choking city streets, slowing forward movement to a crawl (producing unhappy muttering among increasingly desperate passengers). The bus eventually reached a stop out in the middle of an urban version of nowhere, a huge percentage of the passengers bailed, nearly sprinting out the doors. I stayed. 'Cause I harbored the hope that I'd make it to the movie on time. Finally made it to Princesa, minutes before starting time. I skipped through the plaza, stopping to take some pix of the bigass, gravity-defying sculpture that gives the plaza its nickname (la plaza de los cubos). Gravity defied.... ![]() Made it to the cinema, slithered into my seat a minute before the lights went down. Found myself enjoying a strange movie: a tale about some genuine space oddities -- directed, strangely enough, by David Bowie's kid. (Note to Sam Rockwell: dude, good acting work. Seriously.) Afterward: wandered out into cool evening air, streets nicely alive with couples and groups of friends talking, clustering in front of other cinemas, wandering in or out of restaurants, taverns. I aimed myself toward la Plaza de España, drifted slowly down the street, came to a halt in front of a kebap joint. One of the countless kebap places that have popped up around this city in recent years. A 20-something couple sat at the counter inside, the woman turned around and glanced out at me. I stepped inside, found a TV playing in the corner to my left, up near the ceiling. A South American soap, called culebrones, a word that means big snake or serpent. Called that, I'm told, with this in mind: the classic image of a snake with its tail end in its mouth, creating a circle, a shape that has no end or beginning. Because South American soaps go on FOREVER and EVER, with no hope of an end for those who are driven to helpless tears by their bizarrely dramatic story lines and overripe acting. Looked like a nice little joint, apart from the hideous entertainment. The woman sat on a stool at the counter, eyes fixed on the TV, the male next to her fiddled with an iPod, earbuds stuffed into ears. I asked for food, drink, the woman got up to toss it together. Plump, rubenesque, wearing tight clothes. She got to work, I looked around discovered two or three framed thingies on the walls, touristy paeans to Syria. Leading me to conclude the owners were Syrians. Food arrived, I sat at a table and dug in. The soap went on and on. The door opened, two middle-eastern males entered, speaking a middle-eastern tongue. Syrians, could be. Friends of the couple, judging by the conversation that burst into happy life. They all blathered away, the door opened again, a 30ish guy with a camera and a big daypack entered. Stared up at the TV, looked at the knot of chatting Syrians, finally found the menu, checked it out. The woman asked if she could help, he answered in English, his tone of voice assuming everyone would understand him. She spoke no English, seemed confused that he expected she would. Fortunately, one of her friends spoke some English, stepped in to help. I worked on a pretty good pouch filled with bits o' chicken, watched South American actors overdo it shamelessly. When I finished, I paid up, stepped out into the local version of fresh air. Found my way to the plaza, discovered that booths had been installed, a craft fair was underway. Wandered through, not looking to buy, mostly interested in checking out the humans in attendance, a nice mixture of tourists, locals and South/Central Americans working the booths. Continued on through the plaza, to the big intersection at the corner where Princesa turns into Gran Vía and heads up the hill toward Callao and a whole lot of real expensive stores. Daylight slowly faded, crowds moved along the sidewalks. Friday evening, Madrid. A nice time of the week, a city that feels like home. España, te amo rws 5:24 PM [+] |