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Thursday, August 26, 2004 Another one-of-a-kind residence -- Plainfield, VT:
Madrid, te echo de menos. rws 1:12 PM [+] |
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Tuesday, August 24, 2004 The temperature here at 7 a.m.: 39 degrees. This really has to stop. This morning, after a peaceful summer, the house's resident ghost started feeling its oats again. (See entry of August 14, 2002.) There have been, during the last week or two, a few instances of the kind of quiet, unobtrusive sounds I sometimes hear around the place -- the noise of someone doing something in another room. The quiet sounds of someone moving around -- banal, gentle, nonthreatening. However. This morning at 7:20 a.m., as I sat in the bathroom, er, indisposed -- alone in the house -- a door slammed downstairs. Not closed -- slammed. The kind of impact you feel as well as hear. I knew what I'd find when I took a swing down there to see what was up -- all doors just the way they should be: doors that had been open remained open, doors that had been closed remained closed, doors that should have been locked remained locked. Nothing out of place, no signs of mischief. My first experience with this phenomenon took the same form -- the sound of a door closing emphatically downstairs, me alone in the house. The weeks that followed brought plenty of sounds around the living space, the kind I've gotten used to -- understated, well-mannered. Nonaggressive. Nothing as attention-getting as that first bit. Until this morning. I'll be curious to see what happens now. ****************** Two evenings ago: ![]() This morning, far too early: ![]() ![]() Madrid, te echo de menos. rws 8:37 AM [+] |
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Wednesday, August 18, 2004 One-of-a-kind residence -- Plainfield, VT: Madrid, te echo de menos. rws 4:56 PM [+] |
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Sunday, August 15, 2004 This weekend: a friend had been scheduled to drive up Friday evening to spend a couple of nights. They were concerned about driving in heavy weather, sent an email Friday a.m. canceling out. Rained a couple of hours Friday evening, during the night overcast gave way to a classically beautiful August weekend, not a drop of unfriendly precipitation in sight. So. Instead of conversation and cavorting around the countryside, I've done errands, work and gotten quiet. Went into Montpelier yesterday (gym, bank, blahblahblah). A Harley-Davidson gathering of some kind was underway, the town center overrun with relentlessly flatulent motorcycles, machines apparently bred on steroids and drastically undercooked pinto beans. Began digging into a library book, "As She Climbed Across The Table" by Jonathan Lethem. Sample paragraph: "Days passed. Classes were taught, seminars held. Papers were handed in, graded, and returned. The team won something, and the trees filled with garlands of toilet paper. It rained, and the toilet paper dripped to the pathways, and into the wiper blades of parked cars. A group of students seized the Frank J. Bellhope Memorial Aquarium to protest the treatment of Roberta, the manatee savant. The protest was a failure. I called a symposium on the history of student seizure of campus buildings. The symposium was a success. In the larger world, the team invaded something, some hapless island or isthmus. A letter of protest by the faculty was drafted, revised, and scrapped. Bins of swollen pumpkins appeared in the produce sections of Fastway and Look 'n' Like." (copyright © 1997 by Jonathan Lethem) Inside the house, me on the sofa reading, legs extended out to rest on the coffee table, occasionally letting the book drop to my chest to stare out the window at green mountains, broad sky. A clock quietly ticks. Outside, the late summer music continues, insect choraleers of all kinds going at it 24 hours a day, birds providing counterpoint. Stepping out the kitchen door means a transition from quiet to sudden, gently swelling noise. Northern Vermont's late summer soundtrack. The second wave of visitors -- theoretically scheduled to arrive, er, later today or perhaps tomorrow, certainly sometime before the apocalypse -- were to have telephoned yesterday to discuss details. No call. Hmmmm. Ah, well. Mid-August, partway through an unexpectedly peaceful weekend. ************** At the risk of flogging yesterday's morning/evening sky thing to death -- today, this morning, right outside the house: ![]() Madrid, te echo de menos. rws 9:28 AM [+] |
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Saturday, August 14, 2004 This morning, far too early: ![]() ![]() This evening, after a long day: ![]() Madrid, te echo de menos. rws 7:32 AM [+] |
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Monday, August 09, 2004 Northern Vermont on a perfect August day, a few trees already showing autumn color: ![]() ![]() ![]() Madrid, te echo de menos. rws 3:30 PM [+] |
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Sunday, August 08, 2004 My second year after college, I tried out existence in the town my brother lived in: New Paltz, just across the flats from the easternmost reaches of the Catskills, home to the state college my brother attended. A small town in those years, no longer so small thanks to its location on the Thruway (90 minutes north of N.Y.C.) and its character -- not too expensive, reasonably friendly, with a slightly rural feel and the faintest tinge of hippydom. I lasted a year in New Paltz. A fairly turbulent 12 months, as it turned out -- no humongo surprise, given the general turbulence of that time in my little life. There were positive aspects, there was some fun, but also abundant weirdness, plenty of my then-customary flailing around. New Paltz had no theater happening, apart from productions given by the college's theater department. A problem for someone like me, with a dramatic arts degree and a serious acting jones. And then shortly after the holidays had lurched through, giving way to the new year and deep, sloppy winter weather, I came across a handbill for auditions at a small theater a half-hour's drive north, past Kingston and out on a country two-lane, a little-used road that wound through a hollow between heavily wooded hills. When I showed for the try-out, I found an old country church that an enterprising type had taken over and turned into a performing space. The altar had become a stage, everything else remained essentially as it had been -- tall, beautiful windows; rows of pews; dark, heavy wood everywhere -- with the addition of some lighting equipment. And a motley handful of theater folk. Theater folk who were glad to see me, me apparently being the only twit to show up for the try-out. (A twit, fortunately, who could act.) They read me for a two-person piece by a French playwright, Pinget, translated/adapted by his friend, Samuel Becket. A long, quirky conversation between two elderly Irish men, old friends who encounter each other in a park after years of no contact. My father's side of my family: 100% Irish. A part like this came as no stretch for me. Quickly, I found myself in rehearsals, working with a guy named John, also of Irish extraction, but purer than mine, showing unmistakably in his face, a kind of Irish mug I saw in trips to Eire years later. A lovely guy, older than me, married, with an infant he doted on. I enjoyed working on that piece, enjoyed working with John. Life in the theater beyond that was something else again. The place was the fiefdom of a talented goofball: Alan. Good actor. A dramatic son of a bitch onstage and, unfortunately, off. Dramatic and libidinous, living with a 20-something woman, carrying on with her 30-something sister on the side, messing around with yet another 30-something woman on the other side. Nice people, all three women, unhappy with it all, yet making no visible moves to disentangle themselves. Alan now and then seemed to feel he was a victim, making shows of self-righteous angst and indignation. As clueless as I was at that time in my life, as proficient as I was at creating messy, dramatic situations in my life, nothing I created during the year in New Paltz compared with what I saw at this theater. But I didn't have to spend too much out-of-rehearsal time around all that. I got to know John and his wife some, a nice aspect of my time in the show. They seemed somewhat entangled with Alan and all the rest of that world, a natural deterrent to me getting deeply entangled with them (my inner alarm system went off any time I began spending too much time around the wackiness happening beyond the limits of the theater's stage, alarm bells confirmed by strange, dramatic fireworks that went off at the production's end). Plus, I had plans to move cross-country soon after the run of the show. Which I did. And that was that. Five years later, back on the east coast, married (the one and only such lapse in my lifetime to date) and living in New York City, I ran into John one chilly, gray day in Manhattan. Both of us were in the middle of trying times, we exchanged cheery, well-intentioned but awkward greetings, caught up briefly, awkwardly, exchanged phone numbers (awkwardly), never called each other. An outcome I felt badly about and have wished I could change. Every now and then he'd pass through my thoughts, I'd wonder where life took him, I'd wonder if I'd ever get a chance to find out. Montpelier has an equity theater company that produces shows in the town hall during the warm season, last month they produced a script by an Irish playwright, Brian Friel, a show I'd thought about checking out. Thought about, but never actually saw. It closed just over two weeks ago. During a trip into town several days later, I picked up one of the local weekly papers. Back home, I paged through it, came across a review of the show (a bit late to affect box office), and found myself staring at a photo of an Irish face I recognized. Years older, but unmistakably John. My hands grabbed the phone, punched in the theater's phone number. A woman there confirmed that John had been in the Friel play and had bolted town immediately after, home now being somewhere in western Massachusetts. I gave them my name/phone number, asked if they would pass them along to John with a request to call. They consented. Nine or ten days later -- this last weekend -- the phone rings. I answer, someone begins laying a line on me about being a voice from the past. And there he was, sounding older, more crisp, more solid. I cut off his intro line, calling out, "Hey, John!" Hilarity ensued. Catching up has begun. Life -- it delivers. Madrid, te echo de menos. rws 2:49 PM [+] |